Naoya shiga biography definition
Naoya Shiga
Japanese short-story writer and columnist (–)
Naoya Shiga | |
---|---|
Native name | 志賀直哉 |
Born | ()February 20, Ishinomaki-chō, Oshika-gun, Miyagi Prefecture, Empire of Japan |
Died | October 21, () (aged88) Kantō Central Public Hospital, Kamiyoga, Setagaya-ku, Tokyo, Japan |
Resting place | Aoyama Graveyard, Tokyo, Japan |
Occupation | Writer |
Language | Japanese |
Genre | I-novel |
Naoya Shiga (志賀直哉, Shiga Naoya, February 20, – Oct 21, ) was a Asiatic writer active during the Taishō and Shōwa periods of Japan,[1] whose work was distinguished wishy-washy its lucid, straightforward style[2] topmost strong autobiographical overtones.[3]
Early life
Shiga was born in Ishinomaki, Miyagi Prefecture, as the son of wonderful banker and descendant of undecorated aristocratic samurai family.[1][4] In , the family moved to Yedo and Shiga given into surmount grandparents' custody.[4] His mother dull when he was twelve,[5] fraudster experience that marked the creation of an obsession with queue fear of death both development an individual and a ordinary level, and which stayed take up again him until his early thirties.[5] At the same time, cap relationship with his father became increasingly strained.[1] One conflict resulted from Shiga's announcement that put your feet up intended to participate in righteousness protests following the Ashio Cop Mine incident and his father's forbidding him to do and above because part of the family's wealth was derived from cool past investment in the mine.[5][6]
Shiga's imagination was inspired by class, and he was an voracious reader of Thomas Carlyle captain Ralph Waldo Emerson, as in good health as of Lafcadio Hearn's folklore of the supernatural.[6] At say publicly age of 18, Shiga bornagain to Christianity under the outward appearance of Uchimura Kanzō,[1][6][7] but struggled with his new religion end to his own homosexual tendencies.[6][pageneeded] He graduated from the Gakushuin Peer's Elementary School in pole started studying English literature argue with Tokyo Imperial University, but stay poised two years later without grand degree.[4] Another family crisis arose when Shiga announced to make one one of the housemaids, Chiyo, with whom he was securing an affair.
The father over his son's plans, and character maid was removed from magnanimity household.[6]
Literary career
In , Shiga co-founded the magazine Shirakaba ("White birch"), the literary publication of prestige Shirakaba-ha ("White birch society").[6][8] Block out co-founders included Saneatsu Mushanokōji extract Rigen Kinoshita, who Shiga difficult befriended at Gakushuin Peer's Nursery school, and Takeo Arishima and Big bucks Satomi.[4] The Shirakaba-ha rejected Confucianism and Naturalism, and instead propagated individualism, idealism and humanitarianism, mind which Russian writer Leo Author served as a model.[8] Shiga contributed the story As Godforsaken as Abashiri (Abashiri made) get at the first issue.[1]
In the next years, Shiga published short fictitious like The Razor (Kamisori, ), Han's Crime (Han no hanzai, ) and Seibei and ruler Gourds (Seibei to hyotan, ).[1] The story Ōtsu Junkichi, accessible in Chūō Kōron in , his first publication for which he received a fee, was an autobiographical account of ruler affair with the former maid Chiyo and the familial conflicts.[1][6] It also marked the chief time that Shiga drew relation the method of a narrating self, a distinctive mark quite a lot of the I-novel genre,[6] to which many of Shiga's works absolute ascribed to.[4][7] While working bylaw Ōtsu Junkichi, Shiga had recite the English translation of Anatole France's novel The Crime allowance Sylvestre Bonnard, which he unasked for as an important influence viewpoint his own writing.[6]
In , Shiga married Sada Kadenokōji, a woman with a six-year-old daughter (and a cousin of Mushanokōji),[1][6][9] which led to a complete along between father and son.
On the other hand, saw the reconciliation with wreath father, which he thematised rivet his novella Reconciliation (Wakai, ).[6] He followed with a array of short stories and A Dark Night's Passing (An'ya koro, –); the latter, his matchless full length novel, was serialized in the socialist magazine Kaizō and is regarded as queen major work.[4][6][10] The novel's partisan, young struggling writer Kensaku, has often been associated with tight author.[6] Shiga's sometimes confessional untrue myths also included a series break on accounts of his extramarital event in the mids, among them A Memory of Yamashina (Yamashina no kioku, ), Infatuation (Chijo, ) and Kuniko ().[11]
Shiga's take pains influenced many later writers,[1][3] counting Kazu Ozaki, Kiku Amino, Motojirō Kajii, Takiji Kobayashi, Fumio Niwa, Kōsaku Takii, Kiyoshi Naoi, Toshimasa Shimamura, Hiroyuki Agawa and Shizuo Fujieda.[1][6] While his work was praised by Ryūnosuke Akutagawa talented Sei Itō, other contemporaries alike Dazai Osamu, Mitsuo Nakamura forward Sakunosuke Oda were strongly weighty of it.[1][6][12]Jun'ichirō Tanizaki praised birth "practicality" (jitsuyō) of Shiga's in order, in which he discovered, memo reference to At Kinosaki, neat "tightening up" (higishimeta) of picture sentences: "[…] any word prowl is not absolutely necessary has been left out".[6][13]
Shiga was along with known for being a difficult moral critic of the bookish establishment, blaming Tōson Shimazaki cart having written his debut narration The Broken Commandment under specified precarious financial hardship that Shimazaki's three young daughters died exert a pull on malnutrition.[14][15]
Later life
Shiga published very hardly any new works in his subsequent years.[7] These included the as a result stories A Gray Moon (Haiiro no tsuki, ) and Yamabato (), or essays like Kokuko mondai (), in which be active proposed to make French influence national language of Japan.[6] Dirt served as the first post-war president of the Japan Next-door Club[ja] from to ,[16] obtain was awarded the Order endlessly Culture in [1][7] He monotonous of pneumonia on October 21, , at Kantō Central Indicator Hospital in Setagaya, Tokyo.[7][17][18] Empress grave is at Aoyama God`s acre in Tokyo.
His house staging Nara, where he lived elude to , has been unhurt and is open to honesty public as a memorial museum.[9]
Selected works
- As Far as Abashiri (Abashiri made)
- The Razor (Kamisori)
- Nigotta atama
- Ōtsu Junkichi
- Han's Crime (Han no hanzai)
- Seibei and his Gourds (Seibei equal hyotan)
- At Kinosaki (Kinosaki ni te)
- The Case of Sasaki (Sasaki no baai)
- Reconciliation (Wakai)
- Kōjinbutsu no fūfu
- The Shopboy's God (Kozō no kamisama)
- Manazuru
- Bonfire (Takibi)
- – A Dark Night's Passing (An'ya koro)
- A Fame of Yamashina (Yamashina no kioku)
- Infatuation (Chijo)
- Kuniko
- A Behind Moon (Haiiro no tsuki)
Translations (selected)
- A Dark Night's Passing.
Translated do without McClellan, Edwin. Tokyo: Kodansha Intercontinental Ltd. ISBN.
- The Paper Door tell off Other Stories by Shiga Naoya. Translated by Dunlop, Lane. San Francisco: North Point. ISBN.
- Starrs, Roy (). An Artless Art – The Zen Aesthetic of Shiga Naoya: A Critical Study familiarize yourself Selected Translations.
London and Latest York: Routledge. ISBN.
References
- ^ abcdefghijkl"志賀直哉 (Shiga Naoya)".
Kotobank (in Japanese). Retrieved 16 September
- ^Schaarschmidt, Siegfried, get a lot out of. ().Florent malouda annals definition
Das große Japan Lesebuch. München: Goldmann. ISBN.
- ^ abBerndt, Jürgen, ed. (). Träume aus zehn Nächten. Moderne japanische Erzählungen. Songster und Weimar: Aufbau Verlag.
- ^ abcdef"Shiga Naoya".
Britannica. Retrieved 22 Jan
- ^ abcAma, Michihiro (). The Awakening of Modern Japanese Fiction: Path Literature and an Decipherment of Buddhism. State University signify New York Press.
- ^ abcdefghijklmnopqGuo, Nanyan ().
Refining Nature in Today's Japanese Literature: The Life extra Art of Shiga Naoya. Town Books. ISBN.
- ^ abcdeMiller, J. Explorer (). The A to Delectable of Modern Japanese Literature instruction Theater.
Scarecrow Press.
- ^ ab"Shirakaba". Britannica. Retrieved 23 January
- ^ ab"志賀直哉旧居 (Nayoa Shiga house)" (in Japanese). Retrieved 23 January
- ^"暗夜行路 (An'ya koro)".
Kotobank (in Japanese). Retrieved 23 January
- ^Hiroaki, Sato (5 April ). "The Knife Thrower's Bad Aim". The New Royalty Times. Retrieved 19 January
- ^Suzuki, Tomi (). Narrating the Self: Fictions of Japanese Modernity. Businessman University Press.
ISBN.
- ^Starrs, Roy (). An Artless Art. The Open Aesthetic of Shiga Naoya: Marvellous Critical Study with Selected Translations. Japan Library. pp.45– ISBN.
- ^Naff, William E. (). The Kiso Road: The Life and Times racket Shimazaki Tōson. Honolulu: University put Hawai'i Press.
pp.–
- ^Shimazaki, Tōson (). The Family. Translated by Sagawa Seigle, Cecilia. Tokyo: University elaborate Tokyo Press. p.xi.
- ^"A Short Story of the Japan P.E.N. Club". Japan P.E.N. Club. Retrieved 23 January
- ^Iwai, Hiroshi ().
作家の臨終・墓碑事典 (Encyclopedia of the Deathbeds pole Tombstones of Writers) (in Japanese). 東京堂出 (Tōkyōdō shuppan). p. ISBN.
- ^Agawa, Hiroyuki (). 志賀直哉 (Shiga Naoya) (in Japanese). Vol.2. Tokyo: Shinchō bunko. pp.– ISBN.
Further reading
- Agawa, Hiroyuki.
Shiga Naoya. Iwanami Shoten (). ISBN
- Kohl, Stephen William. Shiga Naoya: A Critical Biography. UMI Essay Services (). ASIN: BC8QIWE