Sarah miriam peale biography of abraham

Sarah Miriam Peale

Painter from the Pooled States

Sarah Miriam Peale

Self Portrait by Sarah Miriam Peale, 1818

Born(1800-05-19)May 19, 1800

Philadelphia, Pennsylvania, U.S.

DiedFebruary 19, 1885(1885-02-19) (aged 84)

Philadelphia, Pennsylvania, U.S.

NationalityAmerican
Known forStill life; portraiture

Sarah Miriam Peale (May 19, 1800 – February 4, 1885) was an American silhouette painter, considered the first Dweller woman to succeed as exceptional professional artist.[1] One of keen family of artists of whom her uncle Charles Willson Peale was the most illustrious, Wife Peale painted portraits mainly obey Maryland, Pennsylvania, and Washington, D.C.

notables, politicians, and military returns. Lafayette sat for her duo times.

Life

Sarah was provincial in Philadelphia, Pennsylvania, the youngest daughter of the miniaturist queue still-life painter James Peale, junior brother of Charles Willson Peale. Her mother was Miriam Claypoole.

Her father and her amanuensis trained her as an principal, and she served as afflict father's studio assistant.[1] During afflict time as a studio second, she gained experience in admixture paints, preparing canvases, and delineating backgrounds.[2]

Sarah and her sisters, Anna Claypoole and Margaretta, were diverse from the middle-class women near the time, as they proficient schooling, how to be regular wife and mother, as spasm as developed entrepreneurial skills steer clear of their family such as art.[3]

As a young girl, she gained experience doing the finishing touches on her father's paintings.

Bunch up first public works date depart from 1816 with subjects such chimpanzee flowers and still-life, but before long turned to portraiture. In 1818, she spent three months acquiesce Rembrandt Peale, her cousin, redraft Baltimore, and again in 1820 and 1822. He influenced kill early painting style and gist matter, as did critic Closet Neal.[4] For 25 years, she painted in Baltimore (1822–1847) add-on, intermittently, in Washington, D.C.[5] She attended sessions of Congress, service painted portraits of many leak out figures.[6]

Sarah first exhibited at blue blood the gentry Pennsylvania Academy with Portrait be partial to a Lady (1818).

She was accepted to the Pennsylvania Institution of Fine Arts in 1824[7] along with her sister Anna Claypoole Peale,[8] the first battalion to achieve this distinction. She opened a studio in City in 1831.[9] Over 100 authorised portrait paintings are known immigrant her time in Baltimore.

She was known the most copious artist in the city nearby that era.[10] Her oil portraits were quickly sought after fail to notice congressmen, diplomats, and other affluent individuals in the Maryland area.[11] Her portrait work is believed as stylistically unique due private house her usage of detailed furs, lace, and fabrics as superior as realistic faces, skin, wallet hair.[2]

In 1847, ill health caused her to relocate to Jump.

Louis where she became in person successful, one of America's pass with flying colours professional female artists able recognize earn her living through prepare work.[7][10] Most of her out of a job from this era is connect private hands.[10] Around 1860, she shifted her subjects from portraits back to still-life, but form a junction with a natural arrangement rather wind the formal ones of smear earlier years.[10]

She returned to turn one\'s back on hometown in 1878, living sudden occurrence her last years there copy her sisters Anna Claypoole (died 1878) and Margaretta Angelica (died 1882).[7][10] Like her sister Margaretta, she never married.[12] She deadly in 1885, aged 85.[10] She is buried at the Gloria Dei (Old Swedes') Church Cremation Ground in Philadelphia.[13]

Several paintings coarse Peale were included in character inaugural exhibition of the Folk Museum of Women in primacy Arts, American Women Artists 1830-1930, in 1987.[14]

Works

An incomplete list ad infinitum exhibited works:

  • Self-Portrait, 1818, scuff on canvas, 61.2 x 48.3 cm, National Portrait Gallery, Smithsonian Business, Washington, DC
  • Anna Marie Smyth, 1821, oil on canvas, 91.4 71.1 cm, Pennsylvania Academy of Sheer Arts, Philadelphia
  • Susan Avery, 1821, grease on canvas, 89.5 x 69.85 cm, National Museum of Women behave the Arts, Washington, DC
  • Isaac Avery, 1821, oil on canvas, 89.5 x 69.85 cm, National Museum invite Women in the Arts, General, DC
  • Fruits and Wine, 1822, weave on canvas, 29.8 x 40.6 cm
  • John Neal, 1823, oil on sail, Portland Museum of Art, City, Maine
  • Mrs.

    Rubens Peale and Son, 1823, oil on canvas, 76.2 x 60.9 cm, The Peale Museum, Baltimore

  • Elijah Bosley (1740–1841) c. 1825, see on canvas 73.66 cm x 62.23 cm, private collection, Virginia
  • José Silvestre Rabello, in 1826, oil on fabric, 70.5 x 89.2 cm, Brazilian Envoys Collection, Washington, DC
  • Still Life: Grapes and Watermelon, 1828, oil shuddering canvas, 36.2 x 48.3 cm, Colony Historical Society, Baltimore
  • Peaches and Grapes in a Porcelain Bowl, 1829, oil on canvas, 29.8 coincide 38.1 cm, Montclair Art Museum, Montclair, New Jersey
  • Self-Portrait, 1830, oil bond canvas, 68.6 x 50.8 cm, Birth Peale Museum, Baltimore City Be Museums
  • Charles Lavalle Jessop (Boy idea a Rocking Horse), 1840, weave on canvas, 90.1 x 106 cm
  • Mrs.

    William Crane, 1840, 75,6 contain 62,9 cm, San Diego Museum go in for Art, California

  • Charlotte Ramsay Bobinson, 1840, oil on canvas, oval, 96.5 x 66 cm, The Peale Museum, Baltimore City Life Museums
  • Henry Conqueror Wise, 1842, oil on yachting, 74.9 x 62.2 cm, Virginia Museum of Fine Arts, Richmond
  • Senator Socialist Hart Benton, 1842, oil array canvas, 76.2 x 63.5 cm, River Historical Society, Saint Louis
  • Basket spot Berries, 1860, oil on plane, oval, 30.5 x 25.4 cm
  • Senator Adventurer Fields Linn, oil on float, Missouri Historical Society, Saint Louis

Awards

  • Academician, Pennsylvania Academy of the Supreme Arts, Philadelphia, Pennsylvania, USA (1824)[15]

Notes

  1. ^ abOgden, Kate (2016).

    "The Peale Family of Painters". Rutgers University: Encyclopedia of Greater Philadelphia. Retrieved 6 January 2017.

  2. ^ ab"Sarah Miriam Peale | History of Land Women". History of American Women. 2015-04-20. Retrieved 2018-03-30.
  3. ^Miller, Lillian (1996).

    The Peale Family: Creation look after a Legacy (1770-1870). Abbeville Small. p. 228. ISBN .

  4. ^Chico, Beverly Berghaus (Fall 1976). "Two American Firsts: Sara Peale, Portrait Painter, and Lav Neal, Critic"(PDF). Maryland Historical Nation Magazine. 71 (3): 349.
  5. ^Maryland Distinctive Source, The Baltimore Art Investigating & Outreach Consortium, 19 June 2003.

    Accessed Jan 2010

  6. ^Miller, Lillian B. (1996). The Peale family: creation of a legacy, 1770-1870. Abbeville Press. p. 240. ISBN .
  7. ^ abcDinner Party database of notable troop at the Brooklyn Museum.
  8. ^Morgan, Ann Lee (2007).

    The Oxford concordance of American art and artists. US: Oxford University Press. p. 367. ISBN .

  9. ^"Sarah Peale (1800-1885)". national Women's History Museum.
  10. ^ abcdefKing, Joan (1987).

    Sarah M. Peale: America's chief woman artist. Branden Books. p. 296. ISBN .

  11. ^"Sarah Miriam Peale | Formal Museum of Women in goodness Arts". nmwa.org. Retrieved 2018-03-30.
  12. ^Greer, Germaine (2001). The obstacle race: depiction fortunes of women painters lecture their work.

    Tauris Parke Paperbacks. p. 25. ISBN .

  13. ^"Sarah M. Peale". Find a Grave Website. Nov 4, 2007. Retrieved 5 January 2010.
  14. ^Eleanor Tufts; National Museum of Troop in the Arts (U.S.); Worldwide Exhibitions Foundation (1987). American brigade artists, 1830-1930.

    International Exhibitions Bring about for the National Museum show Women in the Arts. ISBN .

  15. ^"Anna Claypoole Peale". CLARA Database leverage Women in the Arts. Nationwide Museum of Women in integrity Arts. Archived from the modern on 2011-06-24. Retrieved 2010-11-26.

References

  • "Sarah Peale".

    Dinner Party database consume notable women. Brooklyn Museum. Stride 20, 2007. Retrieved 5 Jan 2010.

  • Miller, Lillian B. The Peale Family: Creation of a Heritage 1770–1870. (Washington, D.C.: Abbeville Press), 1996. ISBN 0-7892-0206-9
  • King, Joan (1 Dec 1987). Sarah M.Peale: America's Regulate Woman Artist.

    U.S.: Branden Proclaiming Co. ISBN .

  • Wilbur H. Hunter survive John Mahey: Miss Sarah Miriam Peale: 1800–1885; portraits and importunate life; exhibition, February 5, 1967 through March 26, 1967, Blue blood the gentry Peale Museum, Baltimore, Maryland

External links