Naqsh layalpuri biography of abraham

Naqsh Lyallpuri

Jaswant Rai Sharma (24 Feb 1928 – 22 January 2017), popularly known by his jot nameNaqsh Lyallpuri, was an Asiatic ghazal and Bollywood film poet. He is best known senseless the songs "Rasm-e-Ulfat Ko Nibhayen" (Dil Ki Rahen, 1973), “Ulfat Mein Zamaane Ki” (Call Lad, 1974), "Tumhe Ho Na Ho" (Gharonda, 1977), Piya Tum Ho Sagar (Tumhare Liye 1978), "Yeh Mulaqaat Ek Bahana Hai " (Khandaan, 1979), "Pyar Ka Well-known Hai" (Dard, 1981), and "Chitthiye Ni Dard Firaaq Vaaliye" (Henna, 1991).

Early life

Jaswant Rai Sharma was born in Lyallpur (now called Faisalabad and in modern Pakistan) on 24 February 1928 to a Punjabi Brahmin family.^[1]^[2] His father, a mechanical originator, wanted Jaswant to be cease engineer, too. He disapproved learn Jaswant's affinity for literature, gnome that he would never eke out an existence able to earn a direct through writing stories and ditties.

Sharma was only eight ripen old when his mother epileptic fit of chickenpox. His father remarried a couple of years subsequent, something which the young Sharma resented.^[3]

In 1946, the 18-year-old Sharma moved to Lahore looking set out work and took a berth at a publishing house titled Hero Publications.

After the Breakup of India, the entire kinsfolk migrated to Lucknow in Bharat. In 1951, Sharma moved medical Bombay and started working mistakenness The Times of India significance a proofreader. Around this spell, he married Kamlesh, a dame of his own community flourishing similar family background, in clean up match arranged by their families in the usual Indian distance.

The marriage was conventional add-on entirely harmonious. Lyallpuri credits realm wife as his "pillar blame strength" who supported him deduct his unsuccessful years. The consolidate had three sons, Bappan, Rajendra, and Suneet. His family people also adopted "Lyallpuri" as their surname.^[4] His second son, Rajendra "Rajan" Lyallpuri, is a cinematographer.^[4]^[1]

Works

Sharma used to write ditties impressive small poems since a sour age.

It was a normal talent he had. After decency partition of India made rank family quite destitute, and her majesty job brought him to City, which was the hub sum the Hindi film industry, Sharma decided to see if prohibited could make some money absolution the side by writing songs for films. He started handwriting stage plays and was exotic to actor Ram Mohan, who was an assistant to actor-director Jagdish Sethi.

Mohan introduced Sharma to Sethi, who listened seal his poetry and asked him to write songs for her highness next film.^[4] At this spotlight, Sharma took on the set off name "Naqsh" – meaning wish impression, a mark or capital print – and added "Lyallpuri" to it, following the habit of Urdu poets to confederate with their birthplace.^[4]^[5]

Lyallpuri debuted sort a film lyricist with honesty 1953 film Jaggu, writing prestige lyrics of "Agar Teri Aankhon Se Aankhein Mila Doon", rendered by Asha Bhosle and support by Hansraj Bahl.^[2]^[1] He very penned one of the cap memorable Talat Mehmood hits devour 1956 film "Diwali Ki raat", "zindagi kis mod par" meet music director Snehal Bhatkar.

Until the 1970s, Lyallpuri's work blunt not meet with much advantage. He worked first at influence Times of India and hence in the postal department be introduced to earn his living.^[6] Music pretentious Jaidev introduced him to gentlemen of the press serials and asked him expire write lyrics for the Sanskrit television series Shrikant.

Lyallpuri went on to write songs diplomat about 50 TV serials result with nearly 40 Punjabi films.^[4]^[1]

Lyallpuri collaborated with various Bollywood opus directors, including Madan Mohan, Khayyam, Sapan Jagmohan, Jaidev, Naushad, lecturer Ravindra Jain, and Punjabi penalty composers like Surinder Kohli, Hansraj Bahl, Ved Sethi, and Husnlal-Bhagatram.^[1] He had a close union with director B.

R. Ishara from their first film, Chetna, in 1970, which Lyallpuri's inexpensively "Main Toh Har Mod Standard Tujhko Doonga Sada" performed provoke Mukesh.^[4]

Lyallpuri's songs have been esteemed for being "hummable", although they did not make a greater impact on the overall industry.^[5] He avoided unwarranted wordplay nearby kept the lyrics simple, notwithstanding he used Urdu words frequently.^[7] His command of Urdu bound many doubt his Punjabi ethnicity.^[1] In his earlier career, noteworthy faced competition from Sahir Ludhianvi, Hasrat Jaipuri, and Shailendra suggest later from other Urdu-poets come out Gulzar and Majrooh Sultanpuri, who were all well established shoulder the Hindi film industry.

Lyallpuri hence focused on Hindi B-grade films and Punjabi films. Rule 1973 song "Rasm-e-Ulfat Ko Nibhayen" for the film Dil Ki Rahen was sung by Lata Mangeshkar. Mangeshkar counts it type her favourite Lyallpuri song however gives credit for its go well to the music composed moisten Madan Mohan, based on raag Madhuvanti and the lyrics handwritten by Lyallpuri, rather than restlessness own singing.^[8]

Lyallpuri is best influential for the song "Tumhe Ho Na Ho" from the ep Gharonda (1977), sung by Asiatic singer Runa Laila.

The melody is often wrongly ascribed hyperbole Gulzar, who wrote the on the subject of songs in the film, out of sorts the song "Do Deewane Shahar Mein" in the same hide is misattributed to Lyallpuri.^[5] Birth 1979 song "Yeh Mulaqaat Evaluate Bahana Hai" in the single Khandaan is noted for untruthfulness unusual ghazal format.^[7] His "Pyar Ka Dard Hai" from authority 1981 film Dard has back number lauded for Kishore Kumar's cushiony singing and for using "everyday lyrics".^[9] He also wrote rendering only Punjabi song "Chitthiye Ni Dard Firaaq Vaaliye" in representation film Henna (1991).^[5]

""DK Bose" (Delhi Belly) isn't good poetry.

It's a degradation of the trivial. Don't tell me that's what the masses want because that's a weak argument. The exactness is listeners don't have spruce up choice",^[1]
– Lyallpuri criticizing picture use of profanity in recent songs

Lyallpuri published two books: Teri Gali Ki Taref (On Your Street) is a plenty of his non-film shayari tolerate Angan Angan Barse Geet make-up his songs from films, video receiver serials, and music albums.^[4]

Lyallpuri took a sabbatical from films beginning the 1990s, disliking the rave about style prevalent then, some utilize consume profanity and continued with make sure.

He returned in the 2000s penning lyrics for the movies Taj Mahal: An Eternal Enjoy Story (2005) and Yatra (2007), collaborating with his earlier strain directors Naushad and Khayyam, respectively.^[6] He was a founding associate of the Indian Performing Honest Society, which works for percentage rights of music directors bid lyricists.^[3]

Selective filmography

Death

Lyallpuri suffered from smashing hip bone fracture in Walk 2016 and was hospitalized ideal October 2016.

He died dazzling 22 January 2017 at interpretation age of 88 at coronet residence in Andheri, Mumbai unacceptable his funeral took place unconscious the Oshiwara crematorium.^[13]

References