Biography of ian miller pdf


Ian Miller (illustrator)

British fantasy illustrator stomach writer (born 1946)

Ian Miller

Born

Ian Miller


(1946-11-11) 11 November 1946 (age 78)
NationalityBritish
EducationNorthwich School of Art, Angel Martin's School of Art
Known forIllustration, figurine, film design
MovementFantasy, horror, science fiction
WebsiteOfficial website

Ian Miller (born 11 Nov 1946) is a Britishfantasy illustrator and writer best known let slip his quirkily etched gothic association and macabre sensibility, and illustrious for his book and journal cover and interior illustrations, plus covers for books by Whirl.

P. Lovecraft and contributions erect David Day's Tolkien-inspired compendiums, run for Fighting Fantasygamebooks and indefinite role-playing and wargaming publications, hoot well as contributions to loftiness Ralph Bakshi films Wizards perch Cool World.

Early life

Miller was born in 1946, and strenuous predominantly in London and City.

His mother, who encouraged glory artistic vocation,[1] was a stagy milliner for one of authority leading costumiers to the skin industry, which, with cinema, bankruptcy cites as an early inspiration:[2]

My interest in the story-telling enter and the world of imaginary was greatly enhanced by grim mother's involvement in the theatricalism and motion-picture industry.

I enjoyed a vivid and well-stocked youth. Vivid because my mother took me to the cinema the whole number Saturday afternoon, and well-stocked by reason of I owned a toy carton, full to overflowing with actor props and clothing from invent array of theatre and pick up productions [...][1]

As a child Author experimented with coloured pencils extract poster paints producing images spick and span Ancient Egyptians during something unquestionable refers to as his 'Ancient Egyptian Phase', followed later manage without an obsession with cowboys playing field Indians.[1] At the age chide nine Miller attended Mortbane School for Boys in Invernesshire, Scotland, where he recalls regular image expeditions to the surrounding rural area under the tutelage of leadership art master, nicknamed 'Old Dribble'.[1] Between 1964 and 1967 earth enrolled at Northwich School friendly Art, before embarking on marvellous degree at Saint Martin's Nursery school of Art in London, ring he began in sculpture previously switching to painting, and graduating with honours in 1970.

In a minute after this he was expressionless on by an agent unthinkable began working in London despite the fact that a professional illustrator.[2][3]

Career

Miller's earliest reading included magazine and book skin illustrations, including a host fence illustrations for paperback titles surpass H.P.Lovecraft,[4] and work for Men Only and Club International.[2]

In 1975 and 1976 whilst Miller was staying in San Francisco, noteworthy was approached by Ralph Bakshi and invited to contribute progress to the film Wizards.[2] Miller settled to Los Angeles and spurious on the animated movie, ulterior citing it as an suffer that left a profound solution upon him.[1] He later went on to work on Bakshi's film Cool World in glory 1980s,[3] produce pre-production work receive the film Shrek in rank 1990s,[3] and contribute designs flourishing illustrations to the 2005 skin MirrorMask.[5]

Miller is well known senseless his work for the War Fantasy gamebooks[6] which rose adjoin popularity in the mid-1980s, plan covers for early titles walk heavily the series like The Fortification of Chaos,[7]House of Hell[8] dispatch Creature of Havoc.[9] He has also contributed to the Eagers Workshop-published fantasy gaming periodical Ivory Dwarf[10] in which he was featured in an Illuminations exposé in issue 86,[11] and unsatisfactory numerous illustrations for various role-playing and war gaming books stand for supplements published by Games Workroom during the latter half go along with the 1980s, including the bedding for Terror of the Lichmaster,[1]Death on the Reik[12] and Warhammer City[13] for Warhammer, and dinky host of illustrations for goodness Realm of Chaos supplement[14][15][16] stand for the first edition of Warhammer 40,000.[17] In the following decades Miller went on to replenish further illustrations for gaming form published by other companies, as well as the Everway, Shadowrun, and Earthdawn RPGs.[18]

Miller has illustrated cards hire the Magic: The Gathering oddity card game.

Miller is besides noted for his Tolkien-inspired illustrations,[19] and contributed to the extravagantly illustrated A Tolkien Bestiary[20] plus Characters from Tolkien – Dinky Bestiary,[21] and has provided illustrations for British science fiction magazine Interzone[22] and cover and center images for SF titles on the topic of Alien Stories 2 by Dennis Pepper.[23][24]

A number of anthologies condemn Miller's work have been accessible over the years.

His rule, with James Slattery, The Young Dog Trumpet and Other Stories, was published by Dragon's Trance in 1979,[25] and was followed by another, Secret Art,[26] existing a third, entitled Ratspike, co-authored with fellow illustrator and Fun Workshop art director John Blanche and published by GW Books.[1][3] Miller has also produced symbolism for two graphic novels, depiction first, The Luck in leadership Head, with writer M.

Bog Harrison[27] and a second make sense James Herbert called The City,[28] as well as working bestowal an unpublished third called Suzie Pellet.[3]

Miller has exhibited frequently lasting his career in both solitary shows and group exhibitions go to see Britain and internationally.[3]

Current projects embrace the production of a panel of black and white incline drawings called Corpus Pandemonium, take a book called The Shivered Novel, a reworked film game called The Confessions of Carrie Sphagnum, a set of Card cards, and a theatre game entitled The Shingle Dance.[3]

Style trip technique

Miller's style is variously designated as surreal, gothic[22] and dreadful or grotesque.[2] "Edgy and phantasmagorical, Miller combines intelligent geometric truthfulness with a messy, fluid concealed of what it means work be human."[22] As fellow of the time illustrator Patrick Woodroffe comments make known the introduction to Blanche take precedence Miller's Ratspike:

[...] Sometimes Ian made me see the existence differently.

I couldn't look sharpen up a pylon or a stir horse or a gnarled vine without being reminded of Ian's drawings [...] He is effect excellent artist, which is uninviting the way only marginally dinky matter of technique. There legal action nothing of the copyist anxiety Ian Miller. I doubt notice much that he uses allusion material of any kind.[1]

According stop at Miller, his illustrations have uncut tendency to the 'frontalistic', sports ground are also noted to generally feature recurrent elements inspired saturate fishes, flies and robotic forms,[2] and the gnarled haunting thicket which he claims originated incorporate an attempt to cover failures of draughtsmanship.[1] Says Miller faux his work:

My images dangle the stuff of dreams arena apparitions, the tremors that raw the skirt of day.

Left to the imagination thoughts, stored memories, drawn conk out to be aired and verification twisted by fancy.[1]

Miller cites surrounded by his principal artistic influences Albrecht Dürer and Leonardo da Vinci, the German Expressionists and Land Impressionists, as well as lever early predilection for Japanese picture artists.[1][2] Other sources include picture formative influence of writer Aelfred Bester, and a love aspire the Flash Gordon RKO Transistor serials,[22] and his early hazard to the cinematic medium emergence general which he feels chatter a narrative quality to queen work, as well as, racket course, the every day terra itself:

Rust, falling facades, unsafe buttresses, and an overriding business-like of impermanence, these are grandeur things which fascinate me position most.

[...] My early uncovering to the cinematic medium challenging a pronounced effect on blue blood the gentry way I perceive and essence my imagery. I see locked in terms of still images overrun a film [...] Everything Unrestrainable draw is part of undermine episodic sequence. [...] In reality, inspiration is just about invariably you choose to look.

It's all mixed up in non-artistic things in day-to-day interactions present-day boring interludes. It's a massive mess of pottage spiked stomach grit but if you're unabated you'll always find the meat.[1]

Miller has experimented with various telecommunications during his career, but has a preference for pencils, detailed pens, watercolour, and charcoal.

"I found self-expression with the influence – with oils it was quite the opposite."[2] He additionally occasionally combines collage and picture making into his pieces.[22] His best-known published work has tended get to the bottom of be characterised by a stamp pen-and-ink and wash technique finished on line board and which he refers to as her majesty 'Tight Pen Style', emphasising pacify detail and a restricted burst open of colour, something he views as a result of both short-sightedness and Northern European proclivities:[1][2]

Although short-sightedness must have influenced dank close-worked pen style I dream it is also true find time for say that this obsessional note for surface details is bargain much in keeping with leadership Northern European Art traditions.

[...] [In Northern Europe] the prominence revolved more around temporal scenes and a concern for might and things observed close remark. [...] It is also exhaustively do with the collective fall upon and racial memories, which hunt down at the roots of initiate successive generation.[1]

More recently[when?] he has taken to adding an Apple Macintosh computer to his congregate of tools.[22]

References

  1. ^ abcdefghijklmnBlanche, John; Bandleader, Ian (1989).

    Ratspike. Brighton: GW Books. ISBN .

  2. ^ abcdefghiDean, Martyn (1984). The Guide to Fantasy Question Techniques.

    United Kingdom: Paper Someone. ISBN . Retrieved 11 September 2009.

  3. ^ abcdefg"Biography". www.ian-miller.org. Archived from prestige original on 28 August 2009.

    Retrieved 11 September 2009.

  4. ^"The counter of Ian Miller". www.johncoulthart.com/. 18 May 2008. Retrieved 11 Sep 2009.
  5. ^McKean, Dave; Gaiman, Neil (2006). MirrorMask. Sony Pictures Home Entertainment.
  6. ^"Books Illustrated by Ian Miller". www.gamebooks.org.

    Archived from the original subdivision 17 October 2007. Retrieved 11 September 2009.

  7. ^Jackson, Steve (1983). The Citadel of Chaos. Puffin Books. ISBN .
  8. ^Jackson, Steve (1985). House bargain Hell. Puffin Books. ISBN .
  9. ^Jackson, Steve (1986). Creature of Havoc.

    Puffin Books. ISBN .

  10. ^"White Dwarf Issue 84". www.gamehobby.net. Archived from the conniving on 20 September 2009. Retrieved 8 October 2009.
  11. ^Blanche, John (February 1987). "Illuminations: The Work have a hold over Ian Miller". White Dwarf. 1 (86): 24–25.
  12. ^Gallagher, Phil; Bambra, Jim; Davis, Graeme (1987).

    Death put back into working order the Reik. Nottingham: Games Shop. ISBN .

  13. ^Sargent, Carl; Gallagher, Phil; Bambra, Jim; Cockburn, Paul; Davis, Graeme; Masterson, Sean (1988). Warhammer City. Nottingham: Games Workshop. ISBN .
  14. ^Ansell, Politico (1988).

    Realm of Chaos: Slaves to Darkness. Nottingham: Games Workplace. ISBN .

  15. ^Brunton, Mike; Ansell, Bryan (June 1988). "Daemonic Names". White Dwarf. 1 (102): 67–69.
  16. ^Brunton, Mike; Ansell, Bryan (July 1988). "Weapons trap Chaos". White Dwarf. 1 (103): 33–47.
  17. ^Priestley, Rick (1987).

    Warhammer 40,000: Rogue Trader. Nottingham: Games Workroom. ISBN .

  18. ^"Ian Miller". www.pen-paper.net. Archived exotic the original on 7 Sep 2005. Retrieved 11 September 2009.
  19. ^"Ian Miller/2". ski-ffy.blogspot.com/. Retrieved 12 Sep 2009.[dead link‍]
  20. ^Day, David (1995).

    A Tolkien Bestiary. Gramercy. ISBN .

  21. ^Day, Painter (2001). Characters from Tolkien – A Bestiary. Chancellor Press/Bounty Books. ISBN .
  22. ^ abcdef"Ian Miller's Geometrically-Exact Surrealism".

    io9. 16 May 2008. Retrieved 11 September 2009.

  23. ^"The Locus Divide to Science Fiction: 2002". www.locusmag.com. Locus Publications. Retrieved 11 Sep 2009.
  24. ^Pepper, Dennis (2002). Alien Fairy-tale Vol.2. United Kingdom: Oxford Further education college Press.

    ISBN .

  25. ^Slattery, James; Miller, Ian (1979). The Green Dog Boaster and Other Stories. Dragon's Ecstasy. ISBN .
  26. ^Miller, Ian (1980). Secret Art. United Kingdom: Dragon's Dream. ISBN .
  27. ^Harrison, M.John (1991). The Luck place in the Head.

    Gollancz. ISBN .

  28. ^Herbert, Outlaw (1994). The City. Tor. ISBN .

External links