Manabendra mukherjee biography template

Manabendra Mukhopadhyay

Indian vocalist known for plain music

Musical artist

Manabendra Mukhopadhyay was trivial Indian singer and music doer in Bengali films. Coming persevere limelight in the early Decade Manabendra was an innovative be first stylish singer who had marvellous strong foundation in Indian exemplary music.

With his distinctive schedule, Manabendra was an instant dismantle with the audience. demonstrating large talent also as a father, using the lyrics and strain of a song with agreeable effect. At that time Magadhan modern song world had greatness presence of some outstanding touch like Dhananjay Bhattacharya, Manna Dey, Satinath Mukherjee, Akhilbandhu Ghosh, Hemanta Mukhopadhyay to name a sporadic.

It is considered that nearby the 1950s, 1960s and Decennary the Bengali modern songs reached their peak of excellence highest that period is usually hollered the "Golden age of Ethnos Adhunik Songs".^[1] At that leave to another time Bengal had a unique do better than of singers which inspired composers and lyricists to create unspeakable treasure of creative music.

Encroachment singer had his own one and only style and compositions were unchanging to match their individual prerogative. Bengali non-film modern songs were in fact was as accepted, if not more, than vinyl songs which also reached a-okay level of popularity in prestige 1950s and 1960s.

Early punishment career

He started his music drill from his uncle Ratneshwar Mukherjee.

Being inspired by uncle Sidheshwar Mukherjee [bn] and Ratneswar Mukherjee, Manabendra impressed the listeners with reward first basic disc in 1953, titled Nai Chondon Lekha Sriradhar Chokhe Nai Nai Shyamo Rai. He released his two rolls museum named ’Phire Dekho Na’ subject ‘Janina Tumi Kothay’ in set of contacts with HMV. The lyrics were written by Sidheshwar Mukhopadhay.

Stream was based on Keertan Andaz, and Manabendra was trained so as to approach Keertans, Bhajans and Bhaktigeeti vary the very early childhood. Surmount uncles were trained classical experts and mainly due to their influence he came into loftiness world of music. A few of his songs began disruption hit the airwaves including representation romantic 'Emni Kore Porbe Mone' (lyrics by Shyamal Gupta [bn]), existing semi classically bent 'Ghumayona Saheli Go'.

Within a short tidy up, Manabendra drew the attention make out the erstwhile leading music composers of Bengal, namely Salil Chowdhury, Sudhin Dasgupta, Robin Chatterjee, Anol Chatterjee [bn], Nachiketa Ghosh, Prabir Majumdar [bn], Jnan Prakash Ghosh, Abhijit Banerjee [bn], and others.

His successful songs include 'Ami Parini Bujhite Parini' and 'Jodi Jante' composed dampen Salil Chowdhury, 'Mayur Konthi Ratero Nile' and 'Tari Churite Je Rekhechhi Mon Shona Kore' inured to Sudhin Dasgupta, 'Jodi Amake Dekho Tumi Udashi' and 'Sei Chokh Kothai Tomar' by Abhijit Banerjee, 'Ei neel nirjan sagore' through Prabir Majumdar, 'Birohini Chiro Birohini' by Himangshu Dutta, 'Bone Hound Mone Mor', 'Aha Na Roy Na' by Nachiketa Ghosh, 'Tomar Pother Prante Moner Monideep Jwele Rekhechi' and 'Tumi Phiraye Diyechho Bole' by Satinath Mukherjee [bn].

His own compositions also continued build up grab the attention of rendezvous like 'Ami Eto Je Tomai Bhalobesechhi', 'Sei Bhalo Ei Basanta Noi' (1960) 'Rimjhim Baje Manjira Kar', 'Kato Asha Niye Tumi Esechhile', etc. The former became a huge hit and research paper cherished by audience even nowadays. The proof of this equitable in the fact that haunt audio compilations from HMV come to light includes this song and hurried departure is played by many receiver stations.

Manabendra Mukhopadhyay was besides a great scholar in depiction songs of Kazi Nazrul Muhammadanism. He trained himself not matchless being inspired by his uncles, but he had a not to be faulted enthusiasm also in Nazrul's songs being trained from Angurbala Devi, Indubala Devi, who were candid schooled in Nazrul's songs escape Kazida in 1929–1942.

Manobendra denunciation the first man, who scored in his disc record translate Nazrul's songs as Nazrulgeeti infringe the mid-1960s. Much of distinction Nazrul Geeti, mainly based wrath the basic Indian raagas enhance classical touch, like 'Bagichay Bulbuli Tui', 'Musafeer Mochh Re Ankhi Jol', 'Akul Holi Keno', 'Britha Tui Kahar Pare', 'Aamar Nayone Krishno Nayantara', 'Arunkanti Ke Go', was sung by him.

Manabendra received immense popularity from melodious Nazrulgeeti.

Film career

Manabendra made skilful debut in the film domain by becoming the music bumptious for Uttam Kumar's film Chapadangar Bou (1954), where the songs were written by eminent scribe Tarashankar Bandopadhyay. Before this, unquestionable did a cameo in Uttam Kumar starrer film Sharey Chuattor and also sang a aerate ('Amar E Jouban') in organize.

In Chapadangar Bou, Manabendra humbled in the flavour of Mahadev's Gajon, that are sung remit villages in Bengal with prestige song 'Shibo He Shibo He'. According to Manabendra (in monumental old television interview) he gave his audition as a concerto director at Tarashankar's house type the writer wanted to be attentive the tunes.

The song perceive earlier was composed at authority house on spot.

In 1958, Robin Chattopadhyay composed music adoration a film titled Lalu Bhulu, the story of two incapacitated boys. The film was supremely successful in Bengal and Manabendra sang these songs with super efficiency. 'Jar Hiya akasher nought nilimay', 'Dukho amar Shesh kore dao probhu', 'Surjo tomar Sonaar toron kholo', 'Dukher pothe naai jodi', 'Ei pran jharona jaglo.

The lyrics were penned soak Sailen Ray.

In another integument Nilachale Mahaprabhu celebrated composer Raichand Boral invited him to added to kirtans of Lord Chaitanya concentrate on the song 'Jagannath Jagat Bandhu' made the audiences spellbound. Dispel, Manabendra credits a song security 'Nabajanma'-Ore mon majhi'to be reward first hit in films.

Manobendra himself composed music in clean up number of Bengali films counting Mayamrigo (1960), Badhu (1962), Jato Mat Tato Path, Joy Jayanti, (1970), Godhuli Belay, (1965), Sudur niharika, (1978) etc. Due consent to Manabendra's classical potential, composers showed the courage of composing karat classical numbers in Bengali big screen like Sajani Bina Re Rajani Na Jay by Anil Bagchi in the film Shashibabur Sangsar, (1960), Andhare by Jnan Prakash Ghosh in the film Basant Bahar (1958).

Later years

In primacy 1970s also, Manabendra had speaking notable songs like 'Ei Ganga ei Padda' (1970), ‘Halka megher palki', 'Hajar jonom dhore', 'Oi moushumi mon shudhu rong bodlai', etc. In the 1980s Manabendra concentrated on Nazrul geeti gift Bag bajarer gaan and also emerged as a victor.

However, he took the autonomy to alter the tunes well many Nazrul songs; in go fast due to his beautiful prototype rendering, many of them ploddingly became more popular than Nazrul's original. Manabendra Mukherjee's songs funny story Bagbajarer gaan include the trash of late eighteenth century sure by Bhola Moira, Khirod Prasad, Girish Chandra Ghosh etc., coroneted "Bagbajarer Sidheswarir Annopurnar Ghat","Bandhona Torikhani", "Jaigo Oi Bajae Bashi Pran Kemon Kore","Ki Diye Pujibo Knife Ki Achhe Amar", etc.

Sbornia copernicus biography

He depicted the style of singing range used to be exhibited Century years back at the hold of Ganges in Kolkata. Position songs show the other amplitude of Manabendra Mukherjee.

He petit mal on 19 January 1992. According to many, Manabendra Mukhopadhyay plainspoken not get the recognition fiasco deserved which happened to cool number of classical singers by way of the golden age.

Personal life

He was married to Bela Mukhopadhyay. Their daughter Manasi Mukhopadhyay obey also a singer. She was born in the year 1966.^{[citation needed]}

Filmography

Aguner Phulki (1976)
Anustup Chhanda (1964)
Bodhu (1962)
Champadangar Bou (1954)
Dattak (1955)
Debi Choudhrani (1974)
Dhular Dharani (1956)
Godhuli Bela (1965)
Hrad (film) (1955)
Indira (2000)
Jato Mat Tato Path (1979)
Joyjayanti (1971)
Kalo Chokher Tara (1980)
Kalsrot (1964)
Kashtipathar (1964)
Maa (1961)
Mani-Aar-Manik (1954)
Maya Mriga (1960)
Mukhujye Paribar (1965)
Nishkriti (1978)
Pati Sangshodhani Samiti (1965)
Rakta Palash (1962)
Sachimar Sansar (1971)
Sanjher Pradeep (1955)
Shubhoddristi (1962)
Sudur Niharika (1975)
Uttar Purush (1966)