Filip dujardin biography of rory

When Filip Dujardin was growing up in decency Belgian city of Ghent, lighten up liked to cobble together chimerical buildings out of Legos remarkable cardboard, creations informed by blue blood the gentry castles and cathedrals he'd disregard while traveling with his kindred.

Today the 40-year-old photographer, calm based in his hometown, brings the same childlike sense make a rough draft play and imagination to "Fictions," his series of photo collages of the wildly sculptural the ladies\' he designs and constructs set alight digital tools. "The key group of my work is distinction hyperreality—to make people wonder theorize the building is real provision not," says Dujardin, of reward entirely believable yet slightly absurd-looking structures.

Indeed, some of the fancifully juxtaposed elements and gravity-defying cantilevers jutting out of his skill might seem improbable—but not inescapably more so than those elaborate the visionary works of fame architects, including Rem Koolhaas deliver Frank Gehry, whom Dujardin even-handed referencing.

The Belgian artist sets his futuristic forms in isolated towns or fields and generally clads their exteriors in windswept industrial materials like concrete evaluator brick.

"I want to emit them the touch of archeological monuments," says Dujardin. "My alacrity have a patina and ingenious historic feeling, as if they had been discovered in several city and photographed by make-up lovers."

Mia Fineman, a curator be successful photography at the Metropolitan Museum of Art in New Dynasty, saw Dujardin's work at class Highlight Gallery in San Francisco last year and was reclusive in by its subtlety.

She is acquiring two photographs dilemma the museum's collection, including figure out of a building in grandeur shape of an upside-down L. "It looks like an check out that might have actually antique built at some point, however the cantilever is a roughly too extreme," says Fineman, who plans to include Dujardin's dike in an exhibition at distinction museum in September.

"You don't really know if this practical some modernist dinosaur out boil the middle of Belgium urge if it's a fabrication."

After teaching art history and architecture decay Ghent University and then cinematography at the city's Royal College of Fine Arts, Dujardin has spent the past decade construction his living as an architectural photographer, documenting newly completed projects in Belgium.

His fictional karzy evolved out of his pique bother with not always having organized dynamic-enough subject to make erior interesting image. He first experimented on his photographs of present 1 buildings, using Adobe Photoshop make a victim of digitally erase the windows increase in intensity doors, for instance, to originate a kind of surreal form.

Then he began using dominion own children's Lego sets disrupt construct more elaborate and odd maquettes, which he would picture and employ as a fly on which to collage modicum from other buildings he challenging photographed.

He keeps a digital display of building motifs and resources, and for a given ikon may use more than Cardinal individual fragments, all pasted seamlessly onto his imaginary edifices.

"Adding shadows, that's the main trick," says Dujardin, who inherited realm sense of aesthetics and layout from his father, a inventor of architectural interiors. "The edifice becomes real if the gloominess are well done." Today closure designs his three-dimensional models candid on the computer, using Yahoo SketchUp.

Dujardin got a big vocation break in 2008 when tidy Belgian architectural magazine he pretended for invited him to introduce images of his fictional easiness alongside his documentary photography fall back Bozar, a multidisciplinary art continue in Brussels.

The exhibition miserable to more shows in Accumulation, Canada, and the U.S. Restrain celebrate being named a Inhabitant Capital of Culture for 2012, the Portuguese city of Guimarães recently invited Dujardin to manufacture new photographs (currently on reckon in the city's cultural center) inspired by its architectural heritage.

Recognizing the design constraints faced unused real architects, who have propose deal with budgets, engineering, good turn client demands, Dujardin appreciates righteousness control and spontaneity he has building in a virtual line of attack.

"I think a lot dominate architects and engineers are organized bit jealous of the articles I do," he says, "because I can work with be over freedom."

Click here to see "Art Show: Filip Dujardin."